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22 of the Best (& Most Unforgettable) Grammy Awards Performances - SheKnows

Posted: 21 Jan 2020 02:47 PM PST

The Grammys are known for many things: outrageous fashion, gasp-worthy unscripted moments, and — of course — incredible performances by the greatest musicians of our time. So, what do all the best Grammy Awards performances have in common? Well, they up-end our expectations, either with an innovative set-up, costume, dance routine, and or by switching up the tone of their usual stage persona. From raw, emotional performances that made us cry to dance numbers that had us jumping out of our seats, these Grammy performances are absolutely unforgettable.

At the Grammys, all genres are represented, from country stars like Kacey Musgraves and Maren Morris to pop stars like Lady Gaga and Katy Perry. At the 2020 Grammys, airing on Sunday, January 26, at 8 p.m. EST, host Alicia Keys will be joined by performers like Blake Shelton and Gwen Stefani, Lizzo, Demi Lovato, and more.

No matter what your preferred tunes are, the Grammys have something for everyone — and so do these 22 standout performances from the 60-plus years the Grammys have been running.

Dolly Parton Tribute, 2019

In 2019, Miley Cyrus and Dolly Parton blew us away with their rendition of "Jolene," a tune Cyrus had already memorably performed in a 2012 "Backyard Sessions" YouTube video.

Kesha, 2018

Kesha's performance of "Praying," from her first album in five years Rainbow, was especially emotional given her recent legal battles with former producer Dr. Luke, who she's accused of sexual, physical, and emotional abuse.

Adele, 2017

Adele has had many memorable Grammy performances, but her 2017 delivery of "Hello" was a new level of impressive.

Beyoncé, 2017

Bow down! While pregnant with twins Rumi and Sir, Beyoncé belted out "Sandcastles" and "Love Drought" in this insanely regal attire.

Kendrick Lamar, 2016

Everyone was rapt at Kendrick Lamar's 2016 Grammys performance, where he sang hits "The Blacker the Berry" and "Alright" from To Pimp a Butterfly.

Madonna, 2015

Madonna's "Living for Love" at the 2015 Grammys proved this star is still unbeatable — and the bullfighting theme made for a hell of a performance.

Beyoncé & Jay-Z, 2014

We love a Carter moment. Beyoncé and Jay-Z opened the 2014 Grammys with their performance of "Drunk in Love" — and everyone else might as well have gone home after.

Taylor Swift, 2014

Whether you love her or hate her, you have to admit Taylor Swift gives it her all on stage. That was never more apparent than the 2014 Grammys, where her performance of "All Too Well" didn't leave a dry eye in the house.

Carrie Underwood, 2013

Carrie Underwood performed "Blown Away" and "Two Black Cadillacs" at the 2013 Grammys — while wearing a dress that doubled as a film screen. Unforgettable.

Jennifer Hudson, 2012

Jennifer Hudson can always make us cry with her beautiful singing voice, but her 2012 tribute to Whitney Houston left us especially emotional.

Lady Gaga, 2011

In the biggest Grammys stunt performance in recent years, Lady Gaga was carried around in a giant egg from which she then "hatched" on stage for her performance of "Born This Way." (Get it?)

Pink, 2010

Pink's "Glitter In the Air" performance was a sneak peek at how acrobatic the singer's shows have now become. At the time, her gymnast skills here relatively unknown — and when she suddenly flew up into the air on a sheet, jaws everywhere collectively dropped.

Amy Winehouse, 2008

Amy Winehouse won five Grammys in 2008, and her performance makes it easy to understand why. "Rehab" and "You Know I'm No Good" were both performed via satellite from London due to the singer's Visa issues, but that didn't stop her performance from stealing the show.

Christina Aguilera, 2007

Sing it, Xtina! Christina Aguilera's rendition of "It's a Man's Man's Man's World," performed in tribute to James Brown, is talked about to this day for the passion and power of her delivery.

Kanye West, 2006

Kanye West went all out for his 2006 performances of "Gold Digger" and "Touch the Sky," enlisting both Jamie Foxx and the entire Florida A&M University marching band to round out the show.

Beyoncé & Prince, 2004

Is it any surprise that Beyoncé pops up most often on this list? When icons Beyoncé and Prince joined forces in 2004 for "Purple Rain" and "Baby I'm a Star," the crowd was on their feet. "Don't hate us 'cause we fabulous," Prince warned the audience before walking off the stage.

No Doubt, 2003

Will we ever stop being nostalgic for the days of No Doubt? Gwen Stefani and her crew rocked out "Underneath It All" and "Hella Good," and it's still one of our favorite performances to watch.

Destiny's Child, 2001

Speaking of nostalgia — Destiny's Child took the Grammys stage in 2001 to perform "Independent Woman" and "Say My Name," two hits that remain classics now and forever.

Shania Twain, 1999

What's more memorable, the way Shania Twain sang "Man, I Feel Like a Woman," or what she wore to do it? We swear we're not trying to distract from her skills as an artist — but that opera glove-corset combo haunts our dreams.

Céline Dion, 1998

The only thing better than Céline Dion's 1998 performance of "My Heart Will Go On" might be the backstory. Only 24 hours before the Grammys, Dion's plan to perform a duet with Barbra Streisand fell through (Streisand fell ill with the flu). Yes, that's right — Dion prepared this highly memorable rendition in less than one day.

Eric Clapton, 1993

Eric Clapton's "Tears in Heaven," written for his late son Conor, will bring tears to your eyes in a recording. Performed live, no one stood a chance.

Whitney Houston, 1986

Rolling Stone calls this performance by Whitney Houston the moment she became a "full-fledged superstar." We agree.

Curious who will be added to this list? Tune in to the 62nd Grammy Awards on Sunday, January 26, at 8 p.m. ET on CBS.

Police Captain Who Called For A Beyoncé Boycott Now Says He's Black - Essence

Posted: 21 Jan 2020 06:43 AM PST

Police Captain Who Called For A Beyoncé Boycott Now Says He's Black

Miami police Captain Javier Ortiz stood before a Miami City Commission meeting on Friday and responded to allegations that he was making a mockery of efforts to bring more Black officers onto the force.

According to reports, the cop, who possesses a record of race-baiting and racial discrimination, had previously changed his race designation from Hispanic white to Black.

"I'm a Black male," Ortiz claimed from a podium as Miami City Commissioner Keon Hardemon and others looked on with bewilderment. "Yes, I am. And I am not Hispanic. I was born in this country. That's how I feel." The exchange between the commissioners and the former president of the Fraternal Order of Police was caught on camera.

Ortiz was present for a discussion regarding racial equality within the Miami Police Department. Accusations have been made that the department is racist in nature and has fostered discrimination. Ortiz himself has been accused of racist conduct including making false accusations against Black NFL player Robby Anderson, arresting Black men without just cause and calling on cops to boycott Beyoncé because she performed a Black Panther-inspired set at the 2016 Super Bowl halftime show.

Ortiz, who has been promoted despite his racist tendencies, says his new-found Blackness stems from finding out that there are people in his family who are Black.

"You're probably Black too," he tells a White commissioner during the meeting.

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Blue Ivy Is Beyoncé's Mini-Me in This Rare Birthday Instagram Photo - Oprah Mag

Posted: 08 Jan 2020 12:00 AM PST

The World Premiere Of Disney's "THE LION KING"

Alberto E. RodriguezGetty Images


It's hard to believe that Beyoncé and Jay-Z's eldest child, Blue Ivy, is 8 years old. After all, this writer still remembers when the singer delivered a chilling medley of Lemonade songs while pregnant at the 2016 Grammys. But a recent picture of Blue Ivy has rendered us speechless. Why? Because in it she looks grown—and just like her mom. Seriously, Blue Ivy is Beyoncé's mini.

The image, shared by Matthew Knowles on Instagram, was posted in honor of Blue's birthday. In the shot, Blue Ivy can be seen wearing an off-the-shoulder orange top and cherry-covered skirt. Her hair is straight and long and a pineapple backpack is slung over her shoulders.

Knowles captioned the photo: "Happy Birthday to my beautiful and oldest granddaughter Blue Ivy.⁣ Love, Papa G." He also added some cute animations, including stars, confetti, and a big "Happy Birthday" message.

Of course, this isn't the first time fans (and even Blue's family) have noticed similarities between her and her parents. When she was born, Beyoncé admitted Blue looked just like Jay-Z. Last week, Megan Thee Stallion posted a pic of Mama Bey and Blue, prompting one follower to write "Beyoncé made blue by herself."

And last year, the "Single Ladies" singer posted a side-by-side comparison. "Someone made this comparison of me at age 7 and Blue at age 7," the singer wrote, adding "my baby is growing up."

As for the couple's twins, Rumi and Sir, many believe the former looks just like Beyoncé and Blue Ivy too. Who do you think the kids most resemble?


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Is This the First Year Lady Gaga and Beyoncé are Both Nominated for Grammy Awards? - Showbiz Cheat Sheet

Posted: 09 Jan 2020 12:00 AM PST

The two divas of pop music are branching out and conquering, other avenues. Beyoncé recently appeared in and wrote music for the Disney photo-real adaptation of The Lion King. Lady Gaga starred in and wrote music for the Golden Globe award-winning film, A Star is Born.

Is 2020 the first year both Lady Gaga and Beyoncé could win a Grammy Award? Here's our look into these artists and their history with this ceremony.

Beyoncé Knowles-Carter is one of the artists with the most Grammy Award nominations and wins

As one of the most-nominated artists at the Grammy Awards, as of 2019, Beyoncé has 70 nominations with this award show. Her solo work, in culmination with her role in Destiny's Child and her album released with Jay-Z, The Carters, earned Beyoncé 23 Grammy Awards.

"It's important to me to show images to my children that reflect their beauty, so they can grow up in a world where they look in the mirror, first through their own families — as well as the news, the Super Bowl, the Olympics, the White House, and the Grammys — and see themselves, and have no doubt that they're beautiful, intelligent and capable," Beyoncé said during her 2017 Grammy speech, according to the New York Times.

Lady Gaga already earned Oscars for her role in 'A Star is Born'

Lady Gaga earned a handful of Grammy Awards and nominations herself. As of 2019, Lady Gaga has 9 wins and 27 nominations with this award show. That includes nominations for her album with Tony Bennett, Cheek to Cheek. However, the artist recently earned Golden Globes and Oscar Awards for her work with the film, A Star is Born. Both awards were for the song "Shallow."

"It's not about winning," Gaga said of her first Oscar win. "What it is about is not giving up. If you have a dream, fight for it. If there is a discipline or passion, it's not how many times you get rejected or you fall down or are beaten up. It's about how many times you stand up and are brave and keep on going."

Jay-Z, Beyoncé, and Lady Gaga attend Stevie Wonder: Songs In The Key Of Life
Jay-Z, Beyoncé, and Lady Gaga attend Stevie Wonder: Songs In The Key Of Life | Photo by Kevin Mazur/WireImage

Is this the first year both Lady Gaga and Beyoncé could win Grammy Awards?

About 10 years ago, both Lady Gaga and Beyoncé earned Grammy Awards in their respective categories. In 2009, Beyoncé won six Grammy's, including Song of the Year for "Single Ladies (Put a Ring on It)" and Best Female Pop Vocal Performance for "Halo." Lady Gaga won two awards for Best Dance Recording and Best Electronic/Dance Album.

In 2010, these artists earned the Grammy nomination, Best Pop Collaboration With Vocals, for their song, "Telephone." Now, Beyoncé is nominated for her song "Spirit" from Disney's The Lion King. Lady Gaga is nominated in the same category, Best Song Written for Visual Media, for "I'll Never Love Again (Film Version.)" The Grammy Awards broadcast on Jan. 26, 2020.

Music by Lady Gaga and Beyoncé, including the soundtrack for A Star is Born and The Lion King: The Gift, are available on Spotify, Apple Music, and most major streaming platforms.

Who Has Won More Awards: Beyoncé or Jay-Z? - Showbiz Cheat Sheet

Posted: 31 Dec 2019 12:00 AM PST

Beyoncé and Jay-Z are separately two of the biggest names in the music industry, and together, they make one of the most famous and successful couples in music history. But who has been more successful: Beyoncé or Jay-Z? Who has won more awards? To answer this question, we'll first take a closer look at each of their respective music careers, how they broke into the music scene, and what they've been up to in recent years

How did Beyoncé and Jay-Z become famous? 

Beyoncé and Jay-Z performing at the 'On the Run II' tour
Beyoncé and Jay-Z | Kevin Winter/PW18/Getty Images for Parkwood Entertainment

Born and raised in Houston, Texas, Beyoncé performed in singing and dancing competitions as a child, but she first found fame as the lead singer for Destiny's Child in the late '90s. Beyoncé then began starring in movies and recorded her first solo album – Dangerously in Love – in 2003, which debuted at No. 1 on the US Billboard 200 chart. 

Once Destiny's Child broke up, Beyoncé continued to further the success of her solo career, releasing her second solo album, B'Day. She also started her acting career, starring in films such as The Pink Panther, Dreamgirls, and Obsessed. In 2008, she married Jay-Z, which many cite as a big influence for her third album, I Am… Sasha Fierce. The album went on to earn a record-setting six Grammy awards in 2010. 

Born and raised in New York City, Jay-Z began his musical career after founding the record label Roc-A-Fella Records in 1995. He then released his debut studio album, Reasonable Doubt, in 1996. His newly released album solidified his standing in the music industry, but Jay-Z wasn't planning on just being good at one thing. He also began venturing into the business world, founding the clothing retail company, Rocawear, in 1999, and founding the luxury sports bar chain, 40/40 Club, in 2003 – both of which have evolved into multi-million dollar corporations. 

Jay-Z went on to release twelve additional albums, which have all attained generally positive critical reception and commercial success, including the full-length collaborative albums, Watch the Throne (2011) with Kanye West, and Everything is Love (2018) with his wife, Beyoncé.

Who has won more awards in their lifetime – Beyoncé or Jay-Z?

When you crunch the numbers and look at the stats, Beyoncé has both been nominated for more awards (182) and won more awards (76) than Jay-Z. Jay-Z has more than held his own, winning more awards (34) than many artists dream of along with 114 nominations. 

Beyoncé is the most nominated woman in Grammy Award history, with a total of 23 wins. She is also the highest-paid black musician in history as of 2014. 

Jay-Z, on the other hand, has won a total of 22 Grammy Awards, the most by a rapper, and holds the record for the most No. 1 albums (14) by a solo artist on the Billboard 200. 

What's in store for the couple in the future? 

In 2019, Jay-Z was officially named the first hip hop billionaire, making him the third wealthiest African-American and the wealthiest American musician, according to Business Insider. He also recently bought the tech company Aspiro and took over their media streaming service Tidal, which has since become the world's third-largest online streaming company. 

Beyoncé, for her part, seems to be thriving just as much as her husband, if not more. She recently starred as the voiceover role of Nala in the cinematic The Lion King remake, and she also produced an accompanying album titled, The Lion King: The Gift, comprising of music fully curated by Beyoncé. 

Despite the ups-and-downs of their relationship, which is often heavily covered by the media, the couple seems to be heading in 2020 doing as well as two people can do – and a lot better than many. 

Grammys 2020: Nominees, Performers, Date, Start Time, How to Watch - Parade

Posted: 21 Jan 2020 12:47 PM PST

grammys
(Kevin Winter/Getty Images)

Music-lovers, rejoice! It's about that time of awards season when we switch gears from TV and film to celebrate some of today's chart-topping artists. That's right, the 62nd annual Grammy Awards are just around the corner. From Beyoncé to Taylor Swift, several of our favorite performers are nominated across 30 genres and in 84 categories.

Aside from the big name nominees, the show will also feature a variety of performances, including one from the queen of self-love herself, LizzoSo if listening to tunes is more your speed than watching movies, then we have an awards season date for you to mark on your calendar! Here's everything we know about music's biggest night of the year.

When are the 2020 Grammys?

The 62nd annual Grammy Awards ceremony is taking place January 26.

What time are the 2020 Grammys?

The ceremony will air live at 8 p.m. EST/5 p.m. PST.

How to watch and stream the 2020 Grammys on TV or online?

Tune in to music's biggest night on CBS. If you have a CBS All Access account, then you can stream the Grammys online, or on your mobile device.

Related: Brad Goreski's Awards Season Fashion Predictions & Who He Thinks Will Have a "Gaga-Type" Year  

Who is hosting the 2020 Grammys?

Alicia Keys is returning to host the ceremony following the success of her first time in 2019. "At first I did think last year was a one-time thing but when the opportunity came back around there was no question about returning as host of the GRAMMY Awards," she said in a statement. "Last year was such a powerful experience for me. Not only did I feel the love in the room, but I felt it from around the world and it confirmed the healing and unifying power of music."

Where are the 2020 Grammys being held?

The awards show will be held in Los Angeles at the STAPLES Center.

Who are the 2020 Grammy nominees?

Here is the complete list of nominees…

Record of the Year
"Hey, Ma," Bon Iver
"Bad Guy," Billie Eilish
"7 Rings," Ariana Grande
"Hard Place," H.E.R.
"Talk," Khalid
"Old Town Road," Lil Nas X Featuring Billy Ray Cyrus
"Truth Hurts," Lizzo
"Sunflower," Post Malone & Swae Lee

Album of the Year
I,I, Bon Iver
Norman F—ing Rockwell!, Lana Del Rey
When We All Fall Asleep, Where Do We Go?, Billie Eilish
Thank U, Next, Ariana Grande
I Used to Know Her, H.E.R.
7, Lil Nas X
Cuz I Love You (Deluxe), Lizzo
Father of the Bride, Vampire Weekend

Song of the Year
"Always Remember Us This Way," Natalie Hemby, Lady Gaga, Hillary Lindsey & Lori McKenna, songwriters (Lady Gaga)
"Bad Guy," Billie Eilish O'Connell & Finneas O'Connell, songwriters (Billie Eilish)
"Bring My Flowers Now," Brandi Carlile, Phil Hanseroth, Tim Hanseroth & Tanya Tucker, songwriters (Tanya Tucker)
"Hard Place," Ruby Amanfu, Sam Ashworth, D. Arcelious Harris, H.E.R. & Rodney Jerkins, songwriters (H.E.R.)
"Lover," Taylor Swift, songwriter (Taylor Swift)
"Norman F—ing Rockwell," Jack Antonoff & Lana Del Rey, songwriters (Lana Del Rey)
"Someone You Loved," Tom Barnes, Lewis Capaldi, Pete Kelleher, Benjamin Kohn & Sam Roman, songwriters (Lewis Capaldi)
"Truth Hurts," Steven Cheung, Eric Frederic, Melissa Jefferson & Jesse Saint John, songwriters (Lizzo)

Best New Artist
Black Pumas
Billie Eilish
Lil Nas X
Lizzo
Maggie Rogers
Rosalia
Tank and the Bangas
Yola

Best Pop Solo Performance
"Spirit," Beyoncé
"Bad Guy," Billie Eilish
"7 Rings," Ariana Grande
"Truth Hurts," Lizzo
"You Need to Calm Down," Taylor Swift

Best Pop Duo/Group Performance
"Boyfriend," Ariana Grande and Social House
"Sucker," Jonas Brothers
"Old Town Road," Lil Nas X Featuring Billy Ray Cyrus
"Sunflower," Post Malone and Swae Lee
"Señorita," Shawn Mendes and Camila Cabello

Best Traditional Pop Vocal Album
, Andrea Bocelli
Love (Deluxe Edition), Michael Bublé
Look Now, Elvis Costello & The Imposters
A Legendary Christmas, John Legend
Walls, Barbra Streisand

Best Pop Vocal Album
The Lion King: The Gift, Beyoncé
When We All Fall Asleep, Where Do We Go?, Billie Eilish
Thank U, Next, Ariana Grande
No. 6 Collaborations Project, Ed Sheeran
Lover, Taylor Swift

Best Dance Recording
"Linked," Bonobo
"Got to Keep On," The Chemical Brothers
"Piece of Your Heart," Meduza featuring Goodboys
"Underwater," Rüfüs Du Sol
"Midnight, Hour," Skrillex & Boys Noize featuring Ty Dolla $ign, Boys Noize & Skrillex

Best Dance/Electronic Album
LP5, Apparat
No Geography, The Chemical Brothers
Hi This Is Flume (Mixtape), Flume
Solace, Rüfüs Du Sol
Weather, Tycho featuring Saint Sinner

Best Contemporary Instrumental Album
Ancestral Recall, Christian Scott aTunde Adjuah
Star People Nation, Theo Croker
Beat Music! Beat Music! Beat Music!, Mark Guiliana
Elevate, Lettuce
Mettavolution, Rodrigo y Gabriela

Best Rock Performance
"Pretty Waste," Bones UK
"This Land," Gary Clark Jr.
"History Repeats," Brittany Howard
"Woman," Karen O & Danger Mouse
"Too Bad," Rival Sons

Best Metal Performance
"Astorlus – The Great Octopus," Candlemass featuring Tony Iommi
"Humanicide," Death Angel
"Bow Down," I Prevail
"Unleashed," Killswitch Engage
"7empest," Tool

Best Rock Song
"Fear Inoculum," Danny Carey, Justin Chancellor, Adam Jones & Maynard James Keenan, songwriters (Tool)
"Give Yourself a Try," George Daniel, Adam Hann, Matthew Healy & Ross MacDonald, songwriters (The 1975)
"Harmony Hall," Ezra Koenig, songwriter (Vampire Weekend)
"History Repeats," Brittany Howard, songwriter (Brittany Howard)
"This Land," Gary Clark Jr., songwriter (Gary Clark Jr.)

Best Rock Album
Amo, Bring Me the Horizon
Social Cues, Cage the Elephant
In the End, The Cranberries
Trauma, I Prevail
Feral Roots, Rival Sons

Best Alternative Music Album
U.F.O.F., Big Thief
Assume Form, James Blake
I,I, Bon Iver
Father of the Bride, Vampire Weekend
Anima, Thom Yorke

Best R&B Performance
"Love Again," Daniel Caesar & Brandy
Could've Been," H.E.R. featuring Bryson Tiller
"Exactly How I Feel," Lizzo featuring Gucci Mane
"Roll Some Mo," Lucky Daye
"Come Home," Anderson .Paak featuring André 3000

Best Traditional R&B Performance
"Time Today," BJ The Chicago Kid
"Steady Love," India.Arie
"Jerome," Lizzo
"Real Games," Lucky Daye
"Built for Love," PJ Morton featuring Jazmine Sullivan

Best R&B Song
"Could've Been," Dernst Emile II, David "Swagg R'Celious" Harris, H.E.R. & Hue "Soundzfire" Strother, songwriters (H.E.R. featuring Bryson Tiller)
"Look at Me Now," Emily King & Jeremy Most, songwriters (Emily King)
"No Guidance," Chris Brown, Tyler James Bryant, Nija Charles, Aubrey Graham, Anderson Hernandez, Michee Patrick Lebrun, Joshua Lewis, Noah Shebib & Teddy Walton, songwriters (Chris Brown Featuring Drake)
"Roll Some Mo," David Brown, Dernst Emile II & Peter Lee Johnson, songwriters (Lucky Daye)
"Sayso," PJ Morton, songwriter (PJ Morton featuring JoJo)

Best Urban Contemporary Album
Apollo XXI, Steve Lacy
Cuz I Love You (Deluxe), Lizzo
Overload, Georgia Anne Muldrow
Saturn, Nao
Being Human in Public, Jessie Reyez

Best R&B Album
1123, BJ The Chicago Kid
Painted, Lucky Daye
Ella Mai, Ella Mai
Paul, PJ Morton
Ventura, Anderson .Paak

Best Rap Performance
"Middle Child," J. Cole
"Suge," DaBaby
"Down Bad," Dreamville featuring J.I.D, Bas, J. Cole, EARTHGANG & Young Nudy
"Racks in the Middle," Nipsey Hussle featuring Roddy Ricch & Hit-Boy
"Clout," Offset featuring Cardi B

Best Rap/Sung Performance
"Higher," DJ Khaled featuring Nipsey Hussle & John Legend
"Drip Too Hard," Lil Baby & Gunna
"Panini," Lil Nas X
"Ballin," Mustard featuring Roddy Ricch
"The London," Young Thug Featuring J. Cole & Travis Scott

Best Rap Song
"Bad Idea," Chancelor Bennett, Cordae Dunston, Uforo Ebong & Daniel Hackett, songwriters (YBN Cordae featuring Chance the Rapper)
"Gold Roses," Noel Cadastre, Aubrey Graham, Anderson Hernandez, Khristopher Riddick-Tynes, William Leonard Roberts II, Joshua Quinton Scruggs, Leon Thomas III & Ozan Yildirim, songwriters (Rick Ross featuring Drake)
"A Lot," Jermaine Cole, Dacoury Natche, 21 Savage & Anthony White, songwriters (21 Savage featuring J. Cole)
"Racks in the Middle," Ermias Asghedom, Dustin James Corbett, Greg Allen Davis, Chauncey Hollis, Jr. & Rodrick Moore, songwriters (Nipsey Hussle featuring Roddy Ricch & Hit-Boy)
"Suge," DaBaby, Jetsonmade & Pooh Beatz, songwriters (DaBaby)

Best Rap Album
Revenge of the Dreamers III, Dreamville
Championships, Meek Mill
I Am > I Was, 21 Savage
Igor, Tyler, The Creator
The Lost Boy, YBN Cordae

Best Country Solo Performance
"All Your'n," Tyler Childers
"Girl Goin' Nowhere," Ashley McBryde
"Ride Me Back Home," Willie Nelson
"God's Country," Blake Shelton
"Bring My Flowers Now," Tanya Tucker

Best Country Duo/Group Performance
"Brand New Man," Brooks & Dunn with Luke Combs
"I Don't Remember Me (Before You)," Brothers Osborne
"Speechless," Dan + Shay
"The Daughters," Little Big Town
"Common," Maren Morris featuring Brandi Carlile

Best Country Song
"Bring My Flowers Now," Brandi Carlile, Phil Hanseroth, Tim Hanseroth & Tanya Tucker, songwriters (Tanya Tucker)
"Girl Goin' Nowhere," Jeremy Bussey & Ashley McBryde, songwriters (Ashley McBryde)
"It All Comes Out in the Wash," Miranda Lambert, Hillary Lindsey, Lori McKenna & Liz Rose, songwriters (Miranda Lambert)
"Some of It," Eric Church, Clint Daniels, Jeff Hyde & Bobby Pinson, songwriters (Eric Church)
"Speechless," Shay Mooney, Jordan Reynolds, Dan Smyers & Laura Veltz, songwriters (Dan + Shay)

Best Country Album
Desperate Man, Eric Church
Stronger Than the Truth, Reba McEntire
Interstate Gospel, Pistol Annies
Center Point Road, Thomas Rhett
While I'm Livin', Tanya Tucker

Best New Age Album
Fairy Dreams, David Arkenstone
Homage to Kindness, David Darling
Wings, Peter Kater
Verve, Sebastian Plano
Deva, Deva Premal

Best Improvised Jazz Solo
"Elsewhere," Melissa Aldana
"Sozinho," Randy Brecker
"Tomorrow Is the Question," Julian Lage
"The Windup," Branford Marsalis
"Sightseeing," Christian McBride

Best Jazz Vocal Album
Thirsty Ghost, Sara Gazarek
Love & Liberation, Jazzmeia Horn
Alone Together, Catherine Russell
12 Little Spells, Esperanza Spalding
Screenplay, The Tierney Sutton Band

Best Jazz Instrumental Album
In the Key of the Universe, Joey DeFrancesco
The Secret Between the Shadow and the Soul, Branford Marsalis Quartet
Christian McBride's New Jawn, Christian McBride's New Jawn
Finding Gabriel, Brad Mehldau
Come What May, Joshua Redman Quartet

Best Large Jazz Ensemble Album
Triple Helix, Anat Cohen Tentet
Dance in Nowhere, Miho Hazama
Hiding Out, Mike Holober & The Gotham Jazz Orchestra
The Omni-American Book Club, Brian Lynch Big Band
One Day Wonder, Terraza Big Band

Best Latin Jazz Album
Antidote, Chick Corea & The Spanish Heart Band
Sorte!: Music by John Finbury, Thalma de Freitas With Vitor Gonçalves, John Patitucci, Chico Pinheiro, Rogerio Boccato & Duduka Da Fonseca
Una Noche Con Ruben Blades, Jazz At Lincoln Center Orchestra With Wynton Marsalis & Rubén Blades
Carib, David Sánchez
Sonero: The Music of Ismael Rivera, Miguel Zenón

Best Gospel Performance/Song
"Love Theory," Kirk Franklin; Kirk Franklin, songwriter
"Talkin' Bout Jesus," Gloria Gaynor featuring Yolanda Adams; Bryan Fowler, Gloria Gaynor & Chris Stevens, songwriters
"See the Light," Travis Greene featuring Jekalyn Carr
"Speak the Name," Koryn Hawthorne featuring Natalie Grant
"This Is a Movie (Live)," Tasha Cobbs Leonard; Tony Brown, Brandon Lake, Tasha Cobbs Leonard & Nate Moore, songwriters

Best Contemporary Christian Music Performance/Song
"Only Jesus," Casting Crowns; Mark Hall, Bernie Herms & Matthew West, songwriters
"God Only Knows," for King & Country & Dolly Parton; Josh Kerr, Jordan Reynolds, Joel Smallbone, Luke Smallbone & Tedd Tjornhom, songwriters
"Haven't Seen It Yet," Danny Gokey; Danny Gokey, Ethan Hulse & Colby Wedgeworth, songwriters
"God's Not Done With You (Single Version)," Tauren Wells
"Rescue Story," Zach Williams; Ethan Hulse, Andrew Ripp, Jonathan Smith & Zach Williams, songwriters

Best Gospel Album
Long Live Love, Kirk Franklin
Goshen, Donald Lawrence Presents The Tri -City Singers
Tunnel Vision, Gene Moore
Settle Here, William Murphy
Something's Happening! A Christmas Album, CeCe Winans

Best Contemporary Christian Music Album
I Know a Ghost, Crowder
Burn the Ships, for KING & COUNTRY
Haven't Seen It Yet, Danny Gokey
The Elements, TobyMac
Holy Roar, Chris Tomlin

Best Roots Gospel Album
Deeper Roots: Where the Bluegrass Grows, Steven Curtis Chapman
Testimony, Gloria Gaynor
Deeper Oceans, Joseph Habedank
His Name Is Jesus, Tim Menzies
Gonna Sing, Gonna Shout (Various Artists), Jerry Salley, Producer

Best Latin Pop Album
Vida, Luis Fonsi
11:11, Maluma
Montaner, Ricardo Montaner
#ELDISCO, Alejandro Sanz
Fantasia, Sebastian Yatra

Best Latin Rock, Urban or Alternative Album
X 100Pre, Bad Bunny
Oasis, J Balvin & Bad Bunny
Indestructible, Flor De Toloache
Almadura, iLe
El Mal Querer, Rosalia

Related: Taylor Swift, Demi Lovato and 12 Other Celebrities Who Led the Body Positivity Movement in 2019 

Best Regional Mexican Music Album (Including Tejano)
Caminado, Joss Favela
Percepción, Intocable
Poco a Poco, La Energia Norteña
20 Aniversario, Mariachi Divas De Cindy Shea
De Ayer Para Siempre, Mariachi Los Camperos

Best Tropical Latin Album
Opus, Marc Anthony
Tiempo Al Tiempo, Luis Enrique + C4 Trio
Candela, Vicente García
Literal, Juan Luis Guerra 4.40
A Journey Through Cuban Music, Aymée Nuviola

Best American Roots Performance
"Saint Honesty," Sara Bareilles
"Father Mountain," Calexico and Iron & Wine
"I'm on My Way," Rhiannon Giddens with Francesco Turrisi
"Call My Name," I'm With Her
"Faraway Look," Yola

Best American Roots Song
"Black Myself," Amythyst Kiah, songwriter (Our Native Daughters)
"Call My Name," Sarah Jarosz, Aoife O'Donovan & Sara Watkins, songwriters (I'm With Her)
"Crossing to Jerusalem," Rosanne Cash & John Leventhal, songwriters (Rosanne Cash)
"Faraway Look," Dan Auerbach, Yola Carter & Pat McLaughlin, songwriters (Yola)
"I Don't Wanna Ride the Rails No More," Vince Gill, songwriter (Vince Gill)

Best Americana Album
Years to Burn, Calexico and Iron & Wine
Who Are You Now, Madison Cunningham
Oklahoma, Keb' Mo'
Tales of America, J.S. Ondara
Walk Through Fire, Yola

Best Bluegrass Album
Tall Fiddler, Michael Cleveland
Live in Prague, Czech Republic, Doyle Lawson & Quicksilver
Toil, Tears & Trouble, The Po' Ramblin' Boys
Royal Traveller, Missy Raines
If You Can't Stand the Heat, Frank Solivan & Dirty Kitchen

Best Traditional Blues Album
Kingfish, Christone "Kingfish" Ingram
Tall, Dark & Handsome, Delbert McClinton & Self-Made Men + Dana
Sitting on Top of the Blues, Bobby Rush
Baby, Please Come Home, Jimmie Vaughan
Spectacular Class, Jontavious Willis

Best Contemporary Blues Album
This Land, Gary Clark Jr.
Venom & Faith, Larkin Poe
Brighter Days, Robert Randolph & The Family Band
Somebody Save Me, Sugaray Rayford
Keep On, Southern Avenue

Best Folk Album
My Finest Work Yet, Andrew Bird
Rearrange My Heart, Che Apalache
Patty Griffin, Patty Griffin
Evening Machines, Gregory Alan Isakov
Front Porch, Joy Williams

Best Regional Roots Music Album
Kalawai'Anui, Amy Hānaiali'i
When It's Cold – Cree Round Dance Songs, Northern Cree
Good Time, Ranky Tanky
Recorded Live at the 2019 New Orleans Jazz & Heritage Festival, Rebirth Brass Band
Hawaiian Lullaby, (Various Artists), Imua Garza & Kimié Miner, producers

Best Reggae Album
Rapture, Koffee
As I Am, Julian Marley
The Final Battle: Sly & Robbie vs. Roots Radics, Sly & Robbie & Roots Radics
Mass Manipulation, Steel Pulse
More Work to Be Done, Third World

Best World Music Album
Gece, Altin Gün
What Heat, Bokanté & Metropole Orkest conducted by Jules Buckley
African Giant, Burna Boy
Fanm D'Ayiti, Nathalie Joachim with Spektral Quartet
Celia, Angelique Kidjo

Best Children's Album
Ageless Songs for the Child Archetype, Jon Samson
Flying High!, Caspar Babypants
I Love Rainy Days, Daniel Tashian
The Love, Alphabet Rockers
Winterland, The Okee Dokee Brothers

Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)
Beastie Boys Book, (Various Artists) Michael Diamond, Adam Horovitz, Scott Sherratt & Dan Zitt, producers
Becoming, Michelle Obama
I.V. Catatonia: 20 Years as a Two-Time Cancer Survivor, Eric Alexandrakis
Mr. Know-It-All, John Waters
Sekou Andrews & The String Theory, Sekou Andrews & The String Theory

Best Comedy Album
Quality Time, Jim Gaffigan
Relatable, Ellen DeGeneres
Right Now, Aziz Ansari
Son of Patricia, Trevor Noah
Sticks & Stones, Dave Chappelle

Best Musical Theater Album
Ain't Too Proud: The Life and Times of the Temptations
Hadestown
Moulin Rouge! The Musical
The Music of Harry Potter and the Cursed Child – In Four Contemporary Suites
Oklahoma!

Best Compilation Soundtrack For Visual Media
The Lion King: The Songs
Quentin Tarantino's Once Upon a Time in Hollywood
Rocketman
Spider-Man: Into the Spider-Verse
A Star Is Born

Best Score Soundtrack for Visual Media
Avengers: Endgame
Chernobyl
Game of Thrones: Season 8
The Lion King
Mary Poppins Returns

Best Song Written for Visual Media
"The Ballad of the Lonesome Cowboy," from Toy Story 4
"Girl in the Movies," from Dumplin'
"I'll Never Love Again" (Film Version), from A Star Is Born
"Sprit," from The Lion King
"Suspirium," from Suspiria

Best Instrumental Composition
"Begin Again," Fred Hersch, composer (Fred Hersch & The WDR Big Band conducted by Vince Mendoza)
"Crucible for Crisis," Brian Lynch, composer (Brian Lynch Big Band)
"Love, A Beautiful Force," Vince Mendoza, composer (Vince Mendoza, Terell Stafford, Dick Oatts & Temple University Studio Orchestra)
"Star Wars: Galaxy's Edge Symphonic Suite," John Williams, composer (John Williams)
"Walkin' Funny," Christian McBride, composer (Christian McBride)

Best Arrangement, Instrumental or A Cappella
"Blue Skies," Kris Bowers, arranger (Kris Bowers)
"Hedwig's Theme," John Williams, arranger (Anne-Sophie Mutter & John Williams)
"La Novena," Emilio Solla, arranger (Emilio Solla Tango Jazz Orchestra)
"Love, a Beautiful Force," Vince Mendoza, arranger (Vince Mendoza, Terell Stafford, Dick Oatts & Temple University Studio Orchestra)
"Moon River," Jacob Collier, arranger (Jacob Collier)

Related: Grammy Nominee Taylor Swift Confirmed Her Miss Americana Premiere Date—Plus More Details on Her Netflix Doc!

Best Arrangement, Instruments and Vocals
"All Night Long," Jacob Collier, arranger (Jacob Collier featuring Jules Buckley, Take 6 & Metropole Orkest)
"Jolene," Geoff Keezer, arranger (Sara Gazarek)
"Marry Me a Little," Cyrille Aimée & Diego Figueiredo, arrangers (Cyrille Aimée)
"Over the Rainbow," Vince Mendoza, arranger (Trisha Yearwood)
"12 Little Spells (Thoracic Spine)," Esperanza Spalding, arranger (Esperanza Spalding)

Best Recording Package
Anonimas & Resilientes
Chris Cornell
Hold That Tiger
I,I
Intellexual

Best Boxed or Special Limited Edition Package
Anima
Gold in Brass Age
1963: New Directions
The Radio Recordings 1939–1945
Woodstock: Back to the Garden – The Definitive 50th Anniversary Archive

Best Album Notes
The Complete Cuban Jam Session, Judy Cantor-Navas, album notes writer (Various Artists)
The Gospel According to Malaco, Robert Marovich, album notes writer (Various Artists)
Pedal Steel + Four Corners, Brendan Greaves, album notes writer (Terry Allen And The Panhandle Mystery Band)
Pete Seeger: The Smithsonia Folkways Collection, Jeff Place, album notes writer (Pete Seeger)
Stax '68: A Memphis Story, Steve Greenberg, album notes writer (Various Artists)

Best Historical Album
The Girl From Chicaksaw County- The Complete Capitol Masters, Andrew Batt & Kris Maher, compilation producers; Simon Gibson, mastering engineer (Bobbie Gentry)
The Great Comeback: Horowitz at Carnegie Hall, Robert Russ, compilation producer; Andreas K. Meyer & Jennifer Nulsen, mastering engineers (Vladimir Horowitz)
Kankyo Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990, Spencer Doran, Yosuke Kitazawa, Douglas Macgowan & Matt Sullivan, compilation producers; John Baldwin, mastering engineer (Various Artists)
Pete Seeger: The Smithsonian Folkways Collection, Jeff Place & Robert Santelli, compilation producers; Pete Reiniger, mastering engineer (Pete Seeger)
Woodstock: Back to the Garden – The Definitive 50th Anniversary Archive, Brian Kehew, Steve Woolard & Andy Zax, compilation producers; Dave Schultz, mastering engineer, Brian Kehew, restoration engineer (Various Artists)

Best Engineered Album, Non-Classical
All These Things, Tchad Blake, Adam Greenspan & Rodney Shearer, engineers; Bernie Grundman, mastering engineer (Thomas Dybdahl)
Ella Mai, Chris "Shaggy" Ascher, Jaycen Joshua & David Pizzimenti, engineers; Chris Athens, mastering engineer (Ella Mai)
Run Home Slow, Paul Butler & Sam Teskey, engineers; Joe Carra, mastering engineer (The Teskey Brothers)
Scenery, Tom Elmhirst, Ben Kane & Jeremy Most, engineers; Bob Ludwig, mastering engineer (Emily King)
When We All Fall Asleep, Where Do We Go?, Rob Kinelski & Finneas O'Connell, engineers; John Greenham, mastering engineer (Billie Eilish)

Producer of the Year, Non-Classical
Jack Antonoff
Dan Auerbach
John Hill
Finneas
Ricky Reed

Best Remixed Recording
"I Rise (Tracy Young's Pride Intro Radio Remix)," Tracy Young, remixer (Madonna)
"Mother's Daughter (WukiI Remix)," Wuki, remixer (Miley Cyrus)
"The One (High Contrast Remix)," Lincoln Barrett, remixer (Jorja Smith)
"Swim (Ford. Remix)," Luc Bradford, remixer (Mild Minds)
"Work It (Soulwax Remix)," David Gerard C Dewaele & Stephen Antoine C Dewaele, remixers (Marie Davidson)

Best Immersive Audio Album
Chain Tripping, Luke Argilla, immersive audio engineer; Jurgen Scharpf, immersive audio mastering engineer; Jona Bechtolt, Claire L. Evans & Rob Kieswetter, immersive audio producers (Yacht)
Kverndokk: Smyphonic Dances, Jim Anderson, immersive audio engineer; Robert C. Ludwig, immersive audio mastering engineer; Ulrike Schwarz, immersive audio producer (Ken-David Masur & Stavanger Symphony Orchestra)
Lux, Morten Lindberg, immersive audio engineer; Morten Lindberg, immersive audio mastering engineer; Morten Lindberg, immersive audio producer (Anita Brevik, Trondheimsolistene & Nidarosdomens Jentekor)
The Orchestral Organ, Keith O. Johnson, immersive audio engineer; Keith O. Johnson, immersive audio mastering engineer; Marina A. Ledin & Victor Ledin, immersive audio producers (Jan Kraybill)
The Savior, Bob Clearmountain, immersive audio engineer; Bob Ludwig, immersive audio mastering engineer; Michael Marquart & Dave Way, immersive audio producers (A Bad Think)

Best Engineered Album, Classical
Aequa – Anna Throvaldsdóttir, Daniel Shores, engineer; Daniel Shores, mastering engineer (International Contemporary Ensemble)
Bruckner: Symphony No. 9, Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)
Rachmaninoff – Hermitage Piano Trio, Keith O. Johnson & Sean Royce Martin, engineers;Keith O. Johnson, mastering engineer (Hermitage Piano Trio)
Riley: Sun Rings, Leslie Ann Jones, engineer; Robert C. Ludwig, mastering engineer (Kronos Quartet)
Wolfe: Fire In My Mouth, Bob Hanlon & Lawrence Rock, engineers; Ian Good & Lawrence Rock, mastering engineers (Jaap Van Zweden, Francisco J. Núñez, Donald Nally, The Crossing, Young People's Chorus Of NY City & New York Philharmonic)

Producer of the Year, Classical
Blanton Alspaugh
James Ginsburg
Marina A. Ledin, Victor Ledin
Morten Lindberg
Dirk Sobotka

Best Orchestral Performance
Brucker, Symphony No. 9, Manfred Honeck, conductor (Pittsburgh Symphony Orchestra)
Copland: Billy the Kid; Grohg, Leonard Slatkin, conductor (Detroit Symphony Orchestra)
Norman: Sustain, Gustavo Dudamel, conductor (Los Angeles Philharmonic)
Transatlantic, Louis Langrée, conductor (Cincinnati Symphony Orchestra)
Weinberg: Symphonies Nos. 2 & 21, Mirga Gražinytė-Tyla, conductor (City of Birmingham Symphony Orchestra & Kremerata Baltica)

Best Opera Recording
Benjamin: Lessons in Love & Violence, George Benjamin, conductor; Stéphane Degout, Barbara Hannigan, Peter Hoare & Gyula Orendt; James Whitbourn, producer (Orchestra of the Royal Opera House)
Berg: Wozzeck, Marc Albrecht, conductor; Christopher Maltman & Eva-Maria Westbroek; François Roussillon, producer (Netherlands Philharmonic Orchestra; Chorus of Dutch National Opera)
Charpentier: Les Arts Florissants; Les Plaisirs de Versailles, Paul O'Dette & Stephen Stubbs, conductors; Jesse Blumberg, Teresa Wakim & Virginia Warnken; Renate Wolter-Seevers, producer (Boston Early Music Festival Chamber Ensemble; Boston Early Music Festival Vocal Ensemble)
Picker: Fantastic Mr. Fox, Gil Rose, conductor; John Brancy, Andrew Craig Brown, Gabriel Preisser, Krista River & Edwin Vega; Gil Rose, producer (Boston Modern Orchestra Project; Boston Children's Chorus)
Wagner: Lohengrin, Christian Thielemann, conductor; Piotr Beczała, Anja

Best Choral Performance
Boyle: Voyages, Donald Nally, conductor (The Crossing)
Duruflé: Complete Choral Works, Robert Simpson, conductor (Ken Cowan; Houston Chamber Choir)
The Hope of Loving, Craig Hella Johnson, conductor (Conspirare)
Sander: The Divine Liturgy of St. John Chrysostom, Peter Jermihov, conductor (Evan Bravos, Vadim Gan, Kevin Keys, Glenn Miller & Daniel Shirley; PaTRAM Institute Singers)
Smith, K.: The Arc in the Sky, Donald Nally, conductor (The Crossing)

Best Chamber Music/Small Ensemble Performance
Cerrone: The Pieces That Fall to Earth, Christopher Rountree & Wild Up
Freedom & Faith, PUBLIQuartet
Perpetulum, Third Coast Percussion
Rachmaninoff – Hermitage Piano Trio, Hermitage Piano Trio
Shaw: Orange, Attacca Quartet

Best Classical Instrumental Solo
"The Berlin Recital," Yuja Wang
"Higdon: Harp Concerto," Yolanda Kondonassis; Ward Stare, conductor (The Rochester Philharmonic Orchestra)
"Marsalis: Violin Concerto; Fiddle Dance Suite," Nicola Benedetti; Cristian Măcelaru, conductor (Philadelphia Orchestra)
"The Orchestral Organ," Jan Kraybill
"Torke: Sky, Concerto for Violin," Tessa Lark; David Alan Miller, conductor (Albany Symphony)

Best Classical Solo Vocal Album
The Edge of Silence – Works for Voice by György Kurtág, Susan Narucki (Donald Berman, Curtis Macomber, Kathryn Schulmeister & Nicholas Tolle)
Himmelsmusik, Philippe Jaroussky & Céline Scheen; Christina Pluhar, conductor; L'Arpeggiata, ensemble (Jesús Rodil & Dingle Yandell)
Schumann: Liederkreis Op. 24, Kerner-Lieder Op. 35, Matthias Goerne; Leif Ove Andsnes, accompanist
Songplay, Joyce DiDonato; Chuck Israels, Jimmy Madison, Charlie Porter & Craig Terry, accompanists (Steve Barnett & Lautaro Greco)
A Te, O Cara, Stephen Costello; Constantine Orbelian, conductor (Kaunas City Symphony Orchestra)

Best Classical Compendium
American Originals 1918, John Morris Russell, conductor; Elaine Martone, producer
Leshnoff: Symphony No. 4 'Heichalos'; Guitar Concerto; Starburst, Giancarlo Guerrero, conductor; Tim Handley, producer
Meltzer: Songs and Structures, Paul Appleby & Natalia Katyukova; Silas Brown & Harold Meltzer, producers
The Poetry of Places, Nadia Shpachenko; Marina A. Ledin & Victor Ledin, producers
Saariaho: True Fire; Trans; Ciel D'Hiver, Hannu Lintu, conductor; Laura Heikinheimo, producer

Best Contemporary Classical Composition
Berme: Migration Series for Jazz Ensemble & Orchestra, Derek Bermel, composer (Derek Bermel, Ted Nash, David Alan Miller, Juilliard Jazz Orchestra & Albany Symphony Orchestra)
Higdon: Harp Concerto, Jennifer Higdon, composer (Yolanda Kondonassis, Ward Stare & The Rochester Philharmonic Orchestra)
Marsalis: Violin Concerto in D Major, Wynton Marsalis, composer (Nicola Benedetti, Cristian Măcelaru & Philadelphia Orchestra)
Norman: Sustain, Andrew Norman, composer (Gustavo Dudamel & Los Angeles Philharmonic)
Shaw: Orange, Caroline Shaw, composer (Attacca Quartet)
Wolfe: Fire in My Mouth, Julia Wolfe, composer (Jaap Van Zweden, Francisco J.Núñez, Donald Nally, The Crossing, Young People's Chorus of NY City & New York Philharmonic)

Best Music Video
"We've Got to Try," The Chemical Brothers
"This Land," Gary Clark Jr.
"Cellophane," FKA twigs
"Old Town Road (Official Movie)," Lil Nas X & Billy Ray Cyrus
"Glad He's Gone," Tove Lo

Best Music Film
Homecoming
Remember My Name
Birth of the Cool
Shangri-La
Anima

How are the winners determined?

The winners are voted for by the Recording Academy's voting members, which is made up of music creators, i.e. artists, producers, songwriters and engineers. Eligible voters are allowed to vote in the four general field categories—Album of the Year, Record of the Year, Song of the Year and Best New Artist—and in up to 15 additional award categories based on their areas and genres of expertise.

Who is being honored?

Four-time Grammy Award-winning band Aerosmith will be honored as the 2020 MusiCares Person of the Year. The tribute will take place during the 30th Anniversary MusiCares Benefit Gala, two nights prior to the awards ceremony. The band is being recognized for their philanthropic efforts over the course of the past five decades and their impact on American music history. Meanwhile on the eve of the ceremony, Sean 'Diddy' Combs will receive the Industry Icon Honor at the annual Pre-Grammy Gala for his 25-year trailblazing career and his continuous influence on the music industry.

Who will perform at the 2020 Grammys?

2020 MusiCares Person of the Year Aerosmith is set to perform a medley of some of their biggest hits, while Lizzo will make her Grammy stage debut at the ceremony. Music power couple Gwen Stefani and Blake Shelton will also hit the awards show stage for the first time together. Other performers that have been announced (so far) include Billie Eilish, Camila Cabello, H.E.R., Jonas Brothers, Rosalía, Tyler, The Creator, Bonnie Raitt, Run-DMC, Charlie Wilson, Ariana Grande and Demi Lovato.

What's the difference between Record, Song and Album of the Year?

According to the Recording Academy, the Record of the Year is awarded to a single track and recognizes an artist's performance, in addition to the contributions of the producer(s), recording engineer(s) and/or mixer(s), whereas Song of the Year is awarded to the songwriter(s) who wrote and composed the song. Album of the Year is awarded to a project with a minimum of five different tracks and a total playing time of no less than 15 minutes.

Awards season is in full swing! Study up on who is nominated for an Oscar.

Taylor Swift, Beyoncé, Rihanna, Gaga, Pink and Kesha cleared the way for women in the 2010s - NBC News

Posted: 28 Dec 2019 12:00 AM PST

The first No. 1 single of the 2010s was a blippy, raunchy ode to partying by a young pop newcomer with a dollar sign smack in the middle of her name. "TiK ToK," the debut single by the brash Ke$ha, greeted the decade with a bedheaded, yet confident, opening line — "Wake up in the mornin' feeling like P. Diddy," in honor of the hip-hop mogul — and a feeling that the party would never end.

Which party was that? As the aughts had ended, there wasn't much cheer on pop's business side: Sales had sunk, record stores were closing and the revenue gap between $16.99 compact discs and 99-cent single songs didn't seem to be narrowing. But Ke$ha was part of a phalanx of young women, who were ruling radio and selling out arenas with outsized personalities and even larger-than-life songs — P!nk, Rihanna, (Lady) Gaga, Taylor (Swift) and Beyoncé.

It was an auspicious beginning to the 21st century's teen years, although the way things turned out in the decade for these six women varied widely.

Kesha dropped the currency symbol from her name and became one of the avatars for #MeToo in the industry, taking on her one-time mentor Lukasz "Dr. Luke" Gottwald — whom she accused of physical, sexual and mental abuse — in a series of lawsuits. (Gottwald, for his part, retreated behind the scenes, accusing Kesha of lying and allegedly continuing his producing career under pseudonyms.) Her biggest hit in the latter part of the decade, "Praying," is a smoldering poison-pen letter to those who have hurt her that climaxes in a high note — the mirror inverse of "TiK ToK," but no less potent a listen.

P!nk was already the veteran solo artist of this group at the decade's outset, having released her first album before Y2K. Her earlier hits such as "Family Portrait" and "Don't Let Me Get Me" established her as one of pop's realest-talking stars of the early millennium, and she continued to hone that aspect of her music as the years went on. While her end-of-decade singles like the politically charged "What About Us" and the storming "Walk Me Home" didn't score big on top-40 radio, both scored on adult-contemporary radio — a format where her music has performed exceptionally well since the early 2000s, when programmers began incorporating more teen-pop singers into the mix of Celine Dion and Shania Twain hits.

Rihanna's aughties hits included "Pon de Replay," "S.O.S." and 2007's massive "Umbrella," and then continued her torrid run by putting out an album every November between 2009 and 2012, collections that showed her seemingly innate ability to predict what kinds of music would hit big on radio and with listeners. While the lack of an eighth album in the fall of 2013 — and 2014, and 2015 — surprised some fans, she maintained her visibility by appearing on a handful of singles, including collaborative efforts such as "FourFiveSeconds" with Paul McCartney and Kanye West and "This Is What You Came For" with Calvin Harris, as well as with solo efforts like like "Bitch Better Have My Money."

The moody, genre-agnostic "Anti," which came out in early 2016, garnered praise from critics for its showcase of her musical curiosity — it included a cover of Aussie psych-rockers Tame Impala's "Same Ol' Mistakes," cameos from stars such as SZA and Drake and forays into hard-edged electro and dancehall — and vocal ability, which particularly shone on the torchy "Love on the Brain." In the latter part of the decade, Rihanna became more of a mogul than a pop star, releasing makeup, lingerie, and high-fashion lines that sent shock waves through each industry, but her presence in music is still strong enough that she's regularly being asked about the release date for her next album in Instagram comments and on red carpets.

Dec. 2, 201900:42

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Lady Gaga kicked off the decade with the audacious "Born This Way," which included powerhouse singles, like the Clarence Clemons-assisted "The Edge of Glory" and the drama-heavy "Marry the Night." But on its followup, 2013's "Artpop," she seemed to lose the plot, its halfhearted songs backed by her puddle-deep proclamations of being a serious artist. This foray into performance-piece gibberish wound up being a perfect setup for her rise back into capital-a Authenticity, though, beginning with 2016's "Joanne," which wasn't as countrified as the pink 10-gallon hat she wore on its cover implied but which did contain a couple of stirring piano ballads.

Her efforts at remaking herself then crested with the 2018 remake of "A Star Is Born," which contained the world-conquering power ballad "Shallow." Those triumphs — as well as her collaborative record with Tony Bennett and her Las Vegas residency "Enigma," both of which showcased her ability to channel old-school crooners — put the indulgent "Artpop" era far in the rear view mirror. (She's also franchised her name with her Amazon-distributed makeup line Haus.)

Taylor Swift's decade wasn't as up-and-down as Gaga's, although the moment when observers seemed invested in turning her public tussles with Kanye West into pop's most era-defining feud was perhaps their most embarrassing time. She released five albums in the 2010s — "Speak Now," "Red," "1989," "Reputation," and this year's "Lover" — that engaged directly with the way people were discussing her, while mostly avoiding the trap of celebrity self-indulgence. ("Reputation," which shrouded her in monochrome newsprint, is probably the worst offender on this point, although in the glow of "Lover," it now comes off as a more darkness-before-the-dawn moment.) Swift, who in the early part of her career was dismissed for her youth, also grew into a place where she garnered respect not just from listeners, but also from critics.

The artist who weathered the music industry's travails of the 2010s with the most gusto was likely Beyoncé, who blazed the trail for remaking the pop-star ideal with her 2011 album "4." An ode to inner bliss that recalled the R&B that harkened back to her childhood, it did well among the ever-more-fervent Beyhive and among online fans, but thanks to radio programmers turning away from R&B and embracing sounds borrowed from dance clubs, it didn't spawn a single top-10 pop hit. Indeed, over the 2010s, when she definitely was one of pop's most mega of stars, she only hit the Hot 100's top 10 twice — and her lone No. 1 hit came when she hopped on a track by jack-of-all-trades moppet Ed Sheeran.

But Beyoncé, who pioneered the surprise-release strategy with her 2013 self-titled album and epitomized what the synergy of streaming music and streaming video could mean for an album with 2016's "Lemonade," also helped chart a new path for pop stardom by operating outside the gate-kept realms of radio and the male-dominated world of the streaming charts. Her cultivation of a fervent fan base led to sold-out stadium shows both on her own and with her husband, Jay-Z, a strategy that mirrored the outside-the-box successes of fiercely beloved artists such as Carly Rae Jepsen and Kacey Musgraves; her surprise-release blueprints were copied by many, including the chart-topping Ariana Grande.

Pop music underwent a lot of sweeping changes in the 2010s. The way these six women, all of whom are still considered capital-p Pop Stars, weathered its shifts defied conventional wisdom about how women in the spotlight can hold on to their status — and laid the groundwork for late-10s world-beaters such as Lizzo and Grande to upend expectations with even more gusto.

More from our decade reflections project:

THINKing about 2010-2019: Where we started, how we grew and where we might go

A decade of Black Lives Matter gives us a new understanding of Black liberation

How our phones became our whole lives in just 10 years

College in the U.S. is at a crossroads. Will it increase social mobility or class stratification?

The 'me too' movement's success took a decade of work, not just a hashtag. And there's more to do.

The decade in LGBTQ: Pop culture visibility but stalled political progress

Egg freezing and IVF in the 2010s brought us the next phase in women's lib

How Netflix, Star Wars and Marvel redefined Hollywood — and how we experience movies

Opioids, pot and criminal justice reform helped undermine this decade's War on Drugs

Climate change became a burning issue in the past decade, but also an opportunity

Celebrities like Gwyneth Paltrow made the 2010s the decade of health and wellness misinformation

White Christian America ended in the 2010s

Saweetie Talks Debut Album, Aaliyah, Beyoncé & More | Up Close & Personal - Recording Academy | Grammys

Posted: 10 Jan 2020 12:00 AM PST

If you got down to "My Type" last year, you already have a taste of who rising West Coast rapper Saweetie is. The stylish 26-year-old, born Diamonté Harper in Hayward, Calif., has been on a steady rise since the viral success of "ICY GRL" (which samples Khia's "My Neck, My Back") in 2017.

With several buzzy rap hits, countless confident bars and two EPs under her belt, as well as a busy 2020 tour schedule ahead, Saweetie is ready to shake up the hip-hop world with her icy swag and heavy-hitting bars. She is also expected to release her anticipated debut album this year, with a bigger taste of her bold sound and style.

The "My Type" rapper recently stopped by the Recording Academy headquarters for our latest episode of Up Close & Personal to talk about her breakout hits, what we can anticipate on her first full-length, her biggest influences and more. You can watch part of the conversation above and read the full interview below. You can also visit on our YouTube page for a longer version of the video, as well as for other recent episodes.

Watch: Omar Apollo Talks Being Young, Indie & Latinx | Up Close & Personal

On "My Type," you served up a fresh 2019 sample of Petey Pablo's "Freek-A-Leek," which is amazing. Can you explain where the inspiration began?

What's funny about "My Type" is, its actually the last song I added to the EP and it's the song that did the best. But it was just that my EP was missing something and I wanted something that got me excited as a little girl. When I was little, me and my cousins would listen to "Freek-A-Leek." I mean we didn't know what he was talking about, but we really loved the song. So just taking that, flipping it and then making it my own hit, feels amazing.

The "My Type" music video was shot in the Bay Area, where you grew up. Was filming it there as much fun as it looked?

Definitely, it was. I went home on purpose because my family and my friends are out there. I wanted to basically do everything that I did as a little kid, but as an adult. The barbecue picnic, the side show, the basketball court, those are all moments from my childhood that I revisited. And even my hairstyles were stuff that I would've worn as a little kid.

And how do you feel that growing up in the Bay influenced your music and style?

In the Bay Area, we're very strong on uniqueness. By telling my story and really just being fly; we're very fly, down to earth individuals and when you go to the Bay Area you feel that. The girls out there are pretty but they're doing a thiz face. We've got a whole bunch of swag and a whole bunch of personality.

Looking through your IG, you're rocking killer looks all the time. How would you describe your style?

Thank you. I would describe my style as not being able to describe it, only because it really just depends on my mood. If you go through the performance outfits or a day to day outfit, everything is just based on how I feel then. I like to make my outfits custom a lot. Many of the fan favorites are things that came from my imagination; I collaborate with my stylist and we bring it to life.

Yes! Playing dress-up every day.

Girl, playing dress-up every day. I love to do that.

I heard you're working on a new album. What's your biggest hope and excitement for this project?

My excitement with this project is, with any project, we're starting from scratch, and I feel like through trial and error and through just recording a lot, I'm able to feel like what kind of direction I really want to go in for my sound. Because I'm still a developing artist, but for this time around, I really want to focus on the artistry and the instruments and really creating from scratch.

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And then back in 2017 when you uploaded "ICY GRL" to SoundCloud, did you ever imagine it would take off the way that it did?

I didn't imagine "ICY GRL" taking off. It kind of felt like a great mistake, in the sense that I didn't expect for it to be a song. It was one of the raps that I was just rapping in my car and my manager was like, you need to record this. And I want to say within a week of uploading it, every major hip-hop blog and website picked it up and featured me as upcoming, poppin'. "ICY GRL" was a viral sensation. So it was great to just see it take a take a turn for the best.

Was there a moment when you decided or even dreamed that you would pursue a career in hip-hop?

Definitely. When I was 14 I realized that music is what I wanted to do. I always had dreams of being a musician when I was a little girl. When I was a little I was really into Aaliyah, Ashanti, the R&B girls, but I couldn't sing like that. And when I was 14 I realized that I could rap.

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What was the first CD you ever bought? And the first concert you ever went to?

Okay, so I think the first CD that I asked my mom to buy was probably Aaliyah. Back in the day they had the special edition CDs with the music videos on it, so I would sit in front of the TV all day just trying to mimic Aaliyah's dance moves. I loved her so much.

And the first concert I ever went to was probably a Destiny's Child concert. It was so amazing. When I saw them perform I was like wow, this is what real artistry is.

Who are your biggest role models?

I feel like a great role model would be Beyoncé. I really love how she's sexy, she's classy, she's a businesswoman, she's a great performer. She's just a mogul that and she's self-made, and that's something that I strive to be. I feel like being an "Independent Woman"—which is her record with Destiny's Child—is extremely important. And that's what I strive to be. I have my own label, I have my own company, Icy. I have my own jewelry, I have my own beauty line and all of these things are doing really well. I'm about to start getting into acting and I feel like these are all the areas that she touched. So I feel like she's a great imprint for younger girls like me.

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Megan Thee Stallion on Beyoncé, “Texas Fever,” and Selling Her “Hot Girl Summer” Wardrobe on Depop - Vogue

Posted: 15 Jan 2020 07:02 AM PST

Last year, three little words went viral. "Hot girl summer" was the phrase that defined the middle and end of 2019, a term that was spun, at hyper-speed, into the cultural consciousness by a 24-year-old female rapper out of Houston, Texas. Her name is Megan Thee Stallion, otherwise known by her given name, Megan Pete, and by her Twitter handle, "Hot Girl Meg." She released an album titled Fever in May of last year and, playing on her virtual moniker, printed the following on the cover: "She's thee hot girl and she's bringing thee heat."

In a post-release tweet, Pete explained the meaning behind her words: "Being a Hot Girl is about being unapologetically YOU, having fun, being confident, living YOUR truth, being the life of the party etc." Thus, a million memes were born and "hot girl summer" became common jargon for, well, a lot of different things: hotness, coolness, fearlessness, and so on and so forth. It also came to define a certain sense of sexy and wildly bold style, one that Pete became the official spokeswoman for.

Now, the rap sensation is giving some of that hot girl magic to her fans. She's partnered with Depop, the global social shopping app featuring independent sellers, on a special sale of items from her closet, as well as items from the "Hot Girl Summer" and "All Dat" videos. Launching Friday, the sale is Texas themed, in honor of Pete's home state, and also includes pieces from Depop's top sellers in the Houston area.

The curated shop is called "Texas Fever" and it includes items like Pete's red cowboy hat and matching fringe-and-fur-trimmed mini dress, as well as a vintage Mickey Mouse University jacket, denim shorts, and body chains. Pete says she was happy to collaborate with Depop because the app "gives the creative community something big that they can be a part of." She adds, "The creative community in Houston is kind of hidden, you wouldn't even know there are so many young people here designing and selling their own clothes."

Pete says that she's "all about the eco-hottie vibe. I can find vintage pieces and not have to buy something new. I've been trying to use less plastic after my beach cleanup last year and I'm definitely going to try and buy more cool vintage pieces now that I'm on Depop." Pete has always been a fan of vintage clothing, especially classic Texan wardrobe staples like cowboy boots, hats, and chaps. "Those are the things that never go out of style and will always be in my closet." Her personal style muse? "Beyonce is the O.G. Houston hot girl," Pete explains. "I love how she always gives love to Texan style, even on the red carpet."

So will "Texas Fever" become the latest viral phrase from Pete? She'd like to think as much and hopefully her Depop sale will help shine a light on that "hidden" creative community in Houston. As Pete defines it, "'Texas Fever' is about celebrating Texan attitude. It's about big hoops, big hair, we got the whole cowboy and cowgirl aesthetic that everyone now wants to wear, but we all know who started it first. I definitely think Texans have a unique style. I mean, everything's bigger in Texas!" Spoken like a true hot girl.

'Dangerously In Love' Beyoncé And Jay-Z Are Hollywood's Most Powerful Couple - The Seattle Medium - Seattle Medium

Posted: 17 Jan 2020 07:23 AM PST

Beyoncé performing on The O2 in London. Photo by idrewuk (originally posted to Flickr as Hello hubbie!) [CC BY 2.0 (https://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons)

By Stacy M. Brown
NNPA Newswire Senior Correspondent

When Beyoncé married Jay-Z in 2008, the skeptics were as loud as the audience at a sold-out Destiny's Child concert.

At its worst, critics expected that the marriage would be Bobby and Whitney all over again – a hip-hop bad boy meets a sexy songstress with a squeaky-clean, all-American image.

Some of those critics believed the marriage would only last as long as the union between Michael Jackson and Lisa Marie Presley – an odd and uncomfortable 20-month marriage that ended with Elvis' daughter filing for divorce citing irreconcilable differences.

After a dozen years, hundreds of millions of records sold — and one infamous elevator fight at a Met Gala between Jay-Z and Solange Knowles, (Beyoncé's little sister) — Hollywood's preeminent power couple are still "dangerously in love."

"I believe Beyoncé and Jay-Z have been successfully married as a Hollywood power couple for so long because they can see beyond the wealth, fame and materialism that comes with a Hollywood lifestyle," stated hip-hop artist and activist Sean XGL Mitchell.

"The music business can be brutal so artists and couples who are grounded, in touch with reality and are consciously aware of who they are, have the keys to success and longevity," Mitchell noted.

"In particular, when you watched Beyoncé's Super Bowl performance a few years ago, she paid tribute to the Black Panthers while performing her new hit' Formation. Their costumes and choreographed dance routine, which included a fist in the air, was a true sign of self-knowledge and pride," Mitchell added.

"It was equally apparent in Jay-Z's lyrics in the song the 'Story of O.J.' When you have two people who are more than just artists, who can transcend power, you have the making of a successful partnership and marriage," he said.

According to medium.com, the average divorce rate of Hollywood celebrities is 52 percent, slightly higher than that of the general public. The length of celebrity marriages can be as short as hours, while the average is about six years, the website reported.

That Jay-Z and Beyoncé have doubled that time and are still going strong, doesn't exactly surprise experts who've followed their careers and relationship.

Dr. Fran Walfish, a Beverly Hills family and relationship psychotherapist and regular expert child psychologist on CBS-TV's "The Doctors," said it's no secret the power couple has overcome big problems in their marriage.

At a Met Gala event in 2014, cameras caught Solange hitting and kicking Jay-Z as Beyoncé watched quietly. Later, it was revealed that Solange confronted her brother-in-law over cheating rumors, and things quickly escalated.

"The critical key is that they hung in together with a solemn commitment to each other and the couple ship," Walfish stated. "Today, it seems, they are doing better than ever and are parents to a 7-year-old daughter and two-year-old twins."

In a 2017 interview with The New York Times Style Magazine, Jay-Z opened up about his infidelity and the near demise of his marriage.

"You know, most people walk away, and like the divorce rate is 50 percent or something because most people can't see themselves," Jay-Z told the Times. "The hardest thing is seeing pain on someone's face that you caused, and then have to deal with yourself. So, most people don't want to do that. You don't want to look inside yourself. And so, you walk away."

Walfish stated that Jay-Z's interview with the Times was telling.

"The hardest part for him was seeing the pain on his wife, that he caused," Walfish said.

"That is accountability and owning up to a huge mistake. Beyoncé, on the other hand, had to be open to forgiveness. Her love and non-judgmental character, along with probable therapeutic help, allowed for repair in the relationship. The secondary gain is that this type of relationship deep repair can bond a couple even more strongly together than before," Walfish added.

Born Sean Carter in Brooklyn, NY in 1969, Jay-Z has won 22 Grammy Awards with hits that include "Hard Knock Life," "99 Problems," and "Run this Town."

With a net worth of more than $1 billion, Jay-Z also has produced several films, and he owns the streaming service, Tidal, and other companies.

Born in 1981 in Houston, Texas, Beyoncé rose to fame with the singing group "Destiny's Child" in the 1990s. Her solo career took off in 2002 with the release of the album, "Dangerously in Love," which included a collaboration with Jay-Z.

Beyoncé has won 23 Grammy Awards and owns and operates Parkwood Entertainment, a company that includes various brands of music, movies, videos, and fashion. Forbes Magazine has placed Beyoncé's net worth at approximately $500 million.

"These two powerhouse moguls understand the nature of engagement that is vital in a marriage," stated Dr. Allana Da Graca, a psychologist, and self-styled persistence expert.

"I think they both understand the arduous journey to fame that can also blur lifelines of meaning and authenticity amongst themselves. They hold one another accountable and maintain the muse of each other," Da Graca said.

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